In 1984, Andy Friedenberg screened a preview of All of Me, the Carl
Reiner-directed comedy that starred Lily Tomlin and Steve Martin, for
the first subscribers of the San Diego Cinema Society. There were 32
of them, and, Friedenberg says, “most of them were friends of my
parents.”
These days, the Society is now forced to cap its membership at 800
each year, and Friedenberg says there’s always a waiting list.
After years of working in the film industry, Friedenberg came to San
Diego to care for an ailing parent. When he researched local
alternative film programming back in the early ’80s, he says,
“it took me about five minutes. There was nothing.” So he
filled that gap.
Cinema Society isn’t inexpensive—a new membership runs
just shy of $400 for the year—but for 30-plus movies each year,
it’s not dramatically more than you’d pay at the box
office, and you’re guaranteed a seat. At press time, Friedenberg
said there were still a few memberships available for the milestone
season. Details are at the Society’s website: .
Bangkok Dangerous: Another Nic Cage action movie. This time,
he’s a hit man who goes to Thailand to whack people but ends up
falling in loooooove. Actually, this one has promise—it’s
written and directed by Asian-horror-meisters the Pang brothers, who
remake their own insane 1999 Thai film.
I Served the King of England: A gorgeous movie about Jan Dite, a Czech
man who attempts to live and love (lots of love!) between the
’20s and the ’60s as he works at a fine hotel in Prague.
But can a man simply live his life outside world events, especially
those that happened in Czechoslovakia leading up to and during World
War II?
What We Do is Secret: Biopic about Darby Crash and the Germs, the
seminal American punk band whose shows incited riots often enough to
get them banned from the L.A. club scene. Rodger Grossman’s
debut may be historically accurate, but it feels inauthentic.
Inang Yang: A 2006 Filipino film that earned all sorts of acting
awards, it stars Maricel Soriana as Norma, a nanny who cares for the 7
-year-old daughter of a middle-class couple. When the family moves to
Singapore, Norma is forced to decide if she should stay in the
Philippines with her own daughter or move with the girl who feels like
her own. Ends Sept. 4 at the UltraStar Chula Vista.
Son of Rambow: Set in the 1980s in England, this is a charming look at
imagination and friendship as seen through the eyes of two boys, both
outsiders. Will is a religious sect member who’s never seen a TV
show or a movie. Lee is a rebellious troublemaker who shows Will a
bootlegged copy of First Blood. This, of course, blows Will’s
mind, and before long, the two are making their own version of the
Stallone film. Screens at 6:30 p.m. Wednesday, Sept. 3, at the
Downtown Central Library. Free
The Longest Yard: Remember that lame-ass 2005 Adam Sandler football
movie with Chris Rock, Nelly and Burt Reynolds? This isn’t that.
This is the 1974 original, which stars Reynolds as a convict
quarterback who puts together a football team to take on the guards.
The remake was a Hail Mary, but the original’s way tough.
Screens at 8 p.m. Wednesday, Sept. 3, at The Pearl Hotel in Point
Loma. Free.
Ferris Bueller’s Day Off: Before you make your own
“Anyone? Anyone?” joke, isn’t it weird that super-
smart Ben Stein, the economics teacher from this film, the former
Pepperdine law professor, White House speech writer and host of Win
Ben Stein’s Money, is the star of a Creationist documentary
created to counteract Bill Maher’s Religulous? Screens at 8 p.m.
Wednesday, Sept. 3, at Stone Brewing World Bistro & Gardens in
Escondido. Free.
Bella: Mexican star Eduardo Verástegui plays José, a
one-time fútbol phenom whose career was abruptly shattered. He
reminisces about the day he had an encounter with a waitress, Nina
(Tammy Blanchard), in the restaurant they both worked at that helped
both of them put the trials and tribulations of life into perspective.
Presented by the San Diego Latino Film Festival, Bella screens at 7:30
p.m. Wednesday, Sept. 3, at the Otay Ranch Town Center. Free.
Brassed Off: Used to be Ewan McGregor was best known as the dude from
Trainspotting—before the Star Wars prequels. Shortly after he
hit it big with the Danny Boyle heroin-addict movie, McGregor also
starred in Brassed Off, an understated little film about the Grimley
Collier Brass Band, made up of miners from a provincial English town.
When the mine closes, the band’s only hope for survival is
winning a national competition. Screens at 7 p.m. Thursday, Sept. 4,
at the Museum of Making Music in Carlsbad.
Ready: The latest extreme snowboarding joint from Absinthe Films hits
Encinitas as part of the Sphere of Influence Tour. Sure, it has Jeremy
Jones, Matt Beardmore, Annie Boulanger and others shredding in exotic
locales on screen. But even better, those athletes will also be on
hand to mingle and sign merch. The event includes a righteous after-
party for the over-21 set. Tickets can be picked up ahead of time at
Hansen’s Surf Shop and K5 Board Shops, as well as at the venue.
The show starts at 8 p.m. Thursday, Sept. 4, at La Paloma Theater in
Encinitas.
Chocolat: Lasse Hallström directed this tasty romance
that’s sweet in more ways than one. When Juliette Binoche and
her daughter open a chocolate shop in a provincial French village
suffering from sexual repression, the mayor wants to shut her down,
especially once she starts sharing her sugar with charming lowlife
Johnny Depp. Screens at 7:30 p.m. Thursday, Sept. 4, through Saturday,
Sept. 6, at Cinema Under the Stars in Mission Hills.
Critical Condition: Documentary following four seriously sick
Americans and the slings and arrows of outrageous insurance they must
face. It’s enough to make you rent a place in Ohio to make sure
your vote in November actually makes a difference. Screens at 2 p.m.
Sunday, Sept. 7, at the Downtown Central Library. Free.
Dr. Strangelove or How I Stopped Worrying and Learned to Love the
Bomb: This Kubrick classic is an absolute masterpiece. Peter Sellers
plays three roles in this tale of a mad general (Sterling Hayden) who
provokes a nuclear confrontation with the Russians during the Cold
War, and the efforts of his aide (Sellers), the President (Sellers)
and the nation’s top mad scientist (Sellers) to put a stop to
it. George C. Scott is terrific, too, as a bizarro-Patton. Screens at
6:30 p.m. Sunday, Sept. 7, at Café Libertalia in Hillcrest.
Free.
Expired: This is a little love story—about a meter maid
(Samantha Morton) and an angry traffic cop (Jason Patric)—that
never found its way to San Diego. Screens at 6:30 p.m., Monday, Sept.
8, at the Downtown Central Library. Free.
Rotonda: Part of the San Diego Asian Film Festival’s year of
Filipino Cinema, Rotonda is set at a seedy urban intersection and
follows a single piece of currency as it makes its way from one
character to another, each holder desperately needing a break and a
little redemption. They’re all on a collision course, and
it’s something that can’t end well. Screens Tuesday, Sept.
9, through Thursday, Sept. 11, at the UltraStar Chula Vista.
San Diego Latino Film Festival Short Films: The series continues with
a collection of family-oriented animated shorts that have appeared in
past festivals. Local dance troupe Ballet Folklorico Tapatio de San
Diego kicks things off at 6:30 p.m. and the film rolls at 7:30 p.m. on
Wednesday, Sept. 10, at Otay Ranch Town Center. Free.
Showgirls: Best. Bad. Cult. Film. Ever. With lots of tits. Screens at
8 p.m. Wednesday, Sept. 10, at The Pearl Hotel in Point Loma. Free.
Army of Darkness: The sequel to Sam Raimi’s Evil Dead 2 is still
all about Ash, who has been time-warped to 1300 A.D. Facing a brutal
army of the undead, all he’s got on his side is his shotgun, his
muscle car and his chainsaw hand. This movie rocks. Screens at 9 p.m.,
Wednesday, Sept. 10, at Stone Brewing World Bistro & Gardens. Free.
Babylon A.D.: Vin Diesel returns to sci-fi, the genre that made him
the massive star he once was. He’s a mercenary taking a woman
from Russia to China. Sounds easy, but she hosts some sort of nasty
organism that a freaky cult wants to get its hands on. Mathieu
Kassovitz, who made Gothika and the searing La Haine, is at the reins.
College: Three high-school seniors get hooked up with a frat during a
weekend visit to look at colleges. Turns out the sorority girls who
come to the house to party dig them, something the frat bros
don’t appreciate. Imagine, Greek system and college-girl
humiliation a whole year early!
Disaster Movie: It’s a small-budget parody of big-budget
disaster films, and we wish it would melt in the heat of a plane
that’s crashing into a volcano during a massive earthquake
tsunami. No surprise, Carmen Electra plays “Beautiful
Assassin.”
Mamma Mia!: The Sing-Along Edition: Perhaps you wish you could stand
up in a darkened theater and belt out the ABBA songs featured in Mamma
Mia! Well, your time has come. There’s a new edition of the
based-on-the-hit-Broadway-musical film starring Meryl Streep and
Pierce Brosnan that will feature the lyrics to all the songs on the
screen, like a disturbingly large karaoke machine. You’ll be
with a group of like-minded ABBA fans, so your version of “Take
a Chance on Me” will be supported—nay, encouraged—by
the rest of the faithful.
Traitor: Don Cheadle is a former U.S. Special Operations officer who
may or may not have been compromised by the extremist and terrorist
groups he’s been infiltrating undercover for years. Guy Pearce
is the straight-laced FBI man sent to track him down.
Transsiberian: An American couple (Woody Harrelson and Emily Mortimer)
are living a lifelong dream, taking a trip from China to Moscow on the
Trans-Siberian Railway. Too bad the folks they start hanging out with
are drug dealers, putting them smack in Johnny Law’s crosshairs.
And once the train is rolling, well, it’s hard to get away from
former KGB agent Ben Kingsley.
A Man Named Pearl: It could almost be considered a good thing that
potential neighbors told Pearl Fryar, who is African-American, that
they didn’t want him to move in near them because “black
people don’t keep up their yards.” Because, otherwise, he
never would have taught himself how to make such an incredible garden
that went on to inspire his entire community, even the crackers. Call
it better living through topiary.
Death Race: The satire that originally appeared in Roger
Corman’s 1975 camp classic, Death Race 2000, is missing, but if
you’re the sort who wants to see pimped-out armored cars armed
with massive machine guns shooting at each other on an enclosed prison
racetrack, you won’t care. Jason Statham is Jensen Ames, a
former NASCAR driver framed for murdering his wife so a crooked warden
(Joan Allen) can get him behind the wheel of her ass-kicking deadly
racing franchise. Sure, it’s thin, but it puts the muscle in
muscle car.
Elegy: Isabel Coixet directs this adaptation of Philip Roth’s
short novel The Dying Animal, about a serial seducing college
professor, played by Ben Kingsley, and how his life is turned upside
down by a former student (Penelope Cruz) whom he finds himself falling
for.
Hamlet 2: There’s something to offend everyone in Hamlet 2, and
Steve Coogan is terrific as Dana Marschz (last name intentionally
unpronounceable), a failed actor turned drama teacher who writes,
directs and then stars as Jesus Christ in a musical sequel to the
greatest play ever written in the English language.
House Bunny: Anna Faris is a Playboy bunny who gets tossed from the
mansion only to wind up at a sorority house full of socially inept
ugly ducklings. Just like in real life, it turns out the women of Zeta
Alpha Zeta just need a really hot, skimpily clad chick around to make
them feel good about themselves.
The Longshots: Family-friendly football film directed by—drum
roll, please—Fred Durst. That’s right, Fred “Did it
all for the nookie” Durst. Fred “Sex tape on the
Internet” Durst. And, apparently these days, Fred
“Wholesome family man” Durst. Keke Palmer is Jasmine
Plummer, in this true story of the first girl to ever play in the Pop
Warner football tourney. Ice Cube’s her dad.
The Rocker: Every rose has its thorn. Sure, Rainn Wilson’s first
big lead, The Rocker, is a School of Rock knock-off. But there’s
something pleasant about the story of a hair rocker who gets a second
chance.
Bottle Shock: A terrific premise that is sadly more schlock than
shock. Bill Pullman is the winemaker who could, the man whose
Chardonnay beat out the French in a blind 1976 tasting, putting Napa
wines on the map. But the dialogue is trite, and his relationship to
his slacker son, Chris Pine, just never feels real. It’s like a
bottle opened too soon. Alan Rickman is great, though, as the
Englishman who puts the event together. Like a fine wine, Rickman just
gets better with age.
Fly Me to the Moon: This is the first animated film made specifically
in the new 3D, and word is that they got it right. Still, it’s a
cartoon about three young houseflies that stow away in the Apollo 11
moon flight. Take the kids, and then explain to them that it’s
Buzz Aldrin, and not Buzz Lightyear, voicing Buzz Aldrin.
Frozen River: It’s about time Melissa Leo got a leading role.
Best known as a cop on TV’s Homicide and for being harassed by
ex-beau John Heard, Leo dropped off the map for a while, but she
returns in this intense little drama. She’s a single mother who
teams up with an Indian to smuggle immigrants on the reservation
between the U.S. and Canada. The film earned Grand Jury Prize honors
at Sundance.
Henry Poole is Here: Want to get away? Just ditch your girl and your
career and buy a crappy house in the crappy suburban neighborhood you
grew up in. That’s what a depressed Luke Wilson does, and it
works just fine, until his neighbors see Jesus in a water stain in his
stucco.
Mirrors: Keifer Sutherland moves from his super secret agent on 24 to
a mall cop, charged with making sure nothing goes down in an abandoned
mall. Too bad it’s haunted by scary mirrors.
The Sisterhood of the Traveling Pants 2: Three years after their first
film, the Sisterhood, including Amber Tamblyn and Ugly Betty’s
America Ferrera, is back, transitioning into a time when young women
go through new changes in their lives. That’s right, college. As
in, keggers, sororities, the freshman 15. They stay connected via
their amazing pair of magic pants, which—now that the girls are
older—have college boys trying to figure out how to get inside
them.
Star Wars: The Clone Wars: The Force goes animated. The new
film—really the pilot for an ongoing show on the Cartoon
Network—doesn’t capture the awesomeness of the 1977
original. But it’s still better than the last three movies.
Tropic Thunder: Ben Stiller directed and stars in this monster comedy
about a bunch of spoiled actors dropped into a real war zone. The
thing is, they think it’s a movie set, but the guerrillas
they’re up against are the real deal. Jack Black stars as the
funnyman taking on a serious role, and Robert Downey Jr. is the award-
winning actor who dyes his skin to play the part of the unit’s
black sergeant. Like most of Stiller’s stuff, it’s really
dumb and kinda funny. Oh, and in this case, it’s rated R, so
it’s also really violent.
Vicky Christina Barcelona: Will Woody Allen ever make another film in
New York? After shooting the last two in the U.K., he moved his act
overseas. Scarlett Johanssen and Rebecca Hall are tourists in
Barcelona who find themselves infatuated with mysterious brooding
painter Javier Bardem. When his crazy ex-wife (Bardem’s real-
life honey, Penelope Cruz) enters the picture, the whole trip becomes
a total bummer.
Man on Wire: James Marsh directs this compelling documentary about
Frenchman Philippe Petit, who illegally tightrope-walked between the
World Trade Center towers in 1974. Man on Wire explores Petit’s
obsessive and meticulous plotting, and how he convinced a group of
wild-eyed young adventurers to assist him. Drawing on gorgeous
archival footage and charming the audience with vivid storytelling,
it’s an imaginative, entertaining riff on heist movies.
Pineapple Express: Seth Rogen and James Franco play buddies Dale and
Saul, whose possession of some ultra-rare weed leads them into
compromising situations with the police, thugs, drug dealers and a
Chinese crime syndicate. Yeah, it’s as dumb as it sounds.
It’s also hilarious and hugely entertaining, with a star-making
performance by Danny McBride as Red. Keep an eye out for the absurd
props, which provide some unexpected laughs.
Brideshead Revisited: The latest version of Evelyn Waugh’s pre-
WWII novel is brought to life by director Julian Jarrold and a cast of
distinguished Brits, including Emma Thompson and Michael Gambon. If
you like Atonement and Merchant Ivory productions, this should be
right up your alley. The rest of us may be caught nodding off from
time to time.
The Mummy: Tomb of the Dragon Emperor: It’s hard to imagine
there were fans begging for a second sequel in The Mummy franchise,
but Brendan Fraser is back for this trilogy-capping finale, co-
starring Maria Bello and Jet Li. Chances are Fraser will deliver a lot
of dumb catchphrases, Bello will look hot and Li will, um, kick people
in the face.
Step Brothers: An excuse for Will Ferrell and John C. Reilly to act
like 14-year-old boys. Both are 40-year-olds who still live at home.
When their parents get hitched, they suddenly find they have to get in
each other’s faces. Yes, it’s scatological and
raunchy—it’s so over-the-top that Step Brothers benefits
from its R-rating. Still, it feels like it’s a movie for 15
-year-old boys who will have to sneak in.
The Dark Knight: It’s finally here, and yes, Christopher
Nolan’s new Batman movie is everything you hoped it would be. An
epic two-and-a-half-hour crime drama that examines the complicated
nature of good, evil and heroism and simply must be seen on an Imax
screen to be believed. Christian Bale, Maggie Gyllenhaal and Aaron
Eckhard are all well-served by a tense, taut script, but it truly is
Heath Ledger’s movie, as he plays Batman’s nemesis, The
Joker, with a shambling malevolence that’s terrifying and
intense.
Mamma Mia!: The hit Broadway musical consisting of nothing but Abba
tunes is turned into a big, fat Hollywood movie. But this one’s
got Meryl Streep as an overbearing mother. Her daughter Sophie is
getting married, but she doesn’t know who her dad is. So she
invites all of mom’s exes—Pierce Brosnan, Colin Firth and
Stellan Skarsgård—to the wedding.
Tell No One: A French doctor, whose wife was murdered years ago, finds
that the police have reopened the case and that he’s a suspect
once again. Worse, he gets an e-mail that links to a video clip that
suggests that perhaps his wife is actually still alive.
Hellboy II: The Golden Army: Guillermo del Toro and his big-fisted,
solid-rock superhero are back for a rematch with the supernatural.
This is a good thing. We got the origin story out of the way in the
first movie, so del Toro should be freewheeling and fancy-free when it
comes to this story, which has something to do with Hellboy saving
Earth from the demon hordes. There is no director working today with
such command over visual imagery, and Ron Perlman makes for a great
Hellboy.
The Wackness: Terrific coming-of-age story about a young pot dealer in
NYC in 1994 trying to get to college, listen to phat beats and get
with his shrink’s stepdaughter (played by Juno’s BFF,
Olivia Thirlby). Oh yeah, and the shrink is the pot-smoking, pill-
popping Ben Kingsley, going through a midlife crisis and delivering a
performance that’s equal parts tragic and hilarious. Don’t
miss his make-out scene with Mary-Kate Olsen.
Wall*E: Our hopes are high for the cute li’l titular robot,
whose trailers are enough to make us both laugh and cry. It’s
hundreds of years in the future, and Wall*E’s been cleaning up
our mess since we left. And along the way, he’s gotten lonely.
Sure, we already get the An Inconvenient Truth messaging, but Pixar
has yet to do us wrong.
You Don’t Mess with the Zohan: There’s been some talk that
Adam Sandler’s latest vehicle is actually sort of subversive,
because it comes complete with plenty of jokes about terrorism and the
Palestinian/Israeli conflict. But it also has Mariah Carey, which kind
of cancels out any political overtones. The sometimes-funnyman is a
former Mossad agent who runs off to New York to become a women’s
hairdresser.
Sex and the City: The Movie: The big-screen version of the hit HBO
show. Insert your own “women go cuckoo for this” joke
here.
The Rocky Horror Picture Show: No, it’s not a time
warp—the love-it-or-hate-it camp classic continues its midnight
run in its 37th year of release. When the lead character of the film
is a transvestite scientist named Dr. Frank-N-Furter, you know
you’re in for some seriously trashy viewing. And, of course,
this is the one movie where you want the audience shouting at the
screen. Screens Fridays at midnight at La Paloma Theater in Encinitas.
Fridays at the Fleet: Sea Monsters and Mysteries of Egypt are some of
the rotating films shown each Friday at the Reuben H. Fleet Science
Center’s IMAX theater where, for only $7.50, you can catch four
flicks. Sure, it’s more Discovery Channel than Transformers, but
the Fleet’s enormous old-school dome screen is way cool, and
some of the talent—narrators like Meryl Streep or Johnny
Depp—is impressive. You might find yourself as mesmerized as the
little kiddies sitting around you. Reuben H. Fleet Science Center in
Balboa Park. Check http://www.rhfleet.org for the screening list.