Posts Tagged ‘toronto international film festival’

The phish reunion band show reunion

October 1, 2008

Jam-rock pioneer Phish is back, but not as you might expect. Four
years after the band called it quits and after months of reunion
rumors, Vermont’s finest finally shared the stage this weekend at
former road manager Brad Sands’ wedding in New York. The quartet
played a brief three-song set of “Suzy Greenberg,” “Julius” and
“Waste.” Somewhere, someone is selling grilled cheese at a wedding.

In other jam band reunion news, the four surviving members of The
Grateful Dead will play their first show since 2004 under the Dead
moniker at Penn State on Oct. 13. The show is to support Barack Obama
– Bob Weir, Phil Lesh and Mickey Hart previously played a “Deadheads
for Obama” show in San Francisco in February. Guitarist Warren Haynes
will join the band, as will the Allman Brothers Band, in which Haynes
also plays.

Today’s biggest non-reunion news comes in the form of Jimmy Page and
Led Zeppelin. At the Toronto International Film Festival, a reporter
asked Page point-blank if Zeppelin was recording and reuniting. “We’re
not actually recording,” Page said, adding, “if you’re going to do a
reunion, you need four members.” Seems singer Robert Plant is still
the holdout.

Air canada film in leading hotels of the world website

October 1, 2008

The Second Annual Air Canada enRoute Student Film Festival Announces
Sponsors – Ford Returns as Presenting Sponsor

– Screening and Awards Gala takes place November 5th in Toronto –

MONTREAL, Oct. 1 /CNW Telbec/ – The Second Annual Air Canada enRoute
Student Film Festival today announced its sponsors for its upcoming awards
gala to be held November 5th in Toronto. Ford Motor company returns as this
year’s presenting sponsor. Other returning sponsors are Krups, Playback
magazine, the Director’s Guild of Canada, Metropolitan Hotels and Cineplex
Entertainment. New sponsors this year include The Spoke Club, Palm Springs
International Film Festival, Bullet Digital and pre-screening partners Ouat
Media.
The student who wins in the Best Film category will take home a brand new
2009 Ford Focus vehicle and an Air Canada, all-inclusive roundtrip for two to
the Palm Springs International Film Festival in January. The Festival was
launched in 1990 by Sonny Bono and features a stellar line-up of more than
200 films from 60 countries, special events and gala receptions.
Pre-gala screenings for the Air Canada enRoute Student Film Festival are
being held at the Scotiabank Theatre (Cineplex) in downtown Toronto on
November 5th. The films are being chosen by the festival’s jury members: Dan
Aykroyd, Wendy Crewson, Colm Feore, Arsinée Khanjian and Andrea Martin,
Canadian Film Directors Patricia Rozema, Rob Stewart, Yves Simoneau and
Toronto International Film Festival CEO Noah Cowan. Winners will be announced
the same evening at the Awards Gala hosted by The Spoke Club.
Air Canada passengers can view the selected short films on the main
screen televisions and personal seatback entertainment systems. The films can
also be viewed online at http://www.enroutefilm.com. The Festival is produced by
Spafax Canada.

enRoute, Air Canada’s in-flight magazine, celebrates Canadian achievement
in film, music, design and cultural innovation. The monthly magazine has
received numerous awards including Best Travel Magazine at the 2007 North
American Travel Journalists’ Association Awards. Every month enRoute profiles
the student films being showcased in-flight.

Montreal-based Air Canada provides scheduled and charter air
transportation for passengers and cargo to more than 170 destinations on five
continents. Canada’s flag carrier is the 14th largest commercial airline in
the world and serves 34 million customers annually with a fleet consisting of
335 aircraft. Air Canada is a founding member of Star Alliance, providing the
world’s most comprehensive air transportation network for Canadian domestic,
transborder and international travel. Air Canada aircraft offer customers
individualized seatback in-flight entertainment systems with hundreds of hours
of digital audio-visual entertainment. As well, customers can collect Aeroplan
miles for future awards through Canada’s leading loyalty program.

For further information: Marsha Mowers, Vision/Co, (416) 341-2474 x270,
marsham@visioncompanies.com; Isabelle Arthur, Communications, Air Canada,
(514) 422-5788, isabelle.arthur@aircanada.ca

Religulous release’s hudson you’re person

October 1, 2008

Actress Jennifer Hudson was put to the test for her role as a
housekeeper in the 1960s South in the movie “The Secret Life of Bees.”

TORONTO — Viggo Mortensen played the piano in a hotel lobby, John
Malkovich clarified he was here in “Disgrace” (not disgrace), and
questions about the Obama-McCain presidential race proved you can run
but you cannot hide from American politics.

Paris Hilton was live and in a documentary called “Paris, Not France,”
Mark Ruffalo scored a triple play with “The Brothers Bloom,”
“Blindness” and “What Doesn’t Kill You,” and Mickey Rourke emerged as
the Comeback Kid at the Toronto International Film Festival.

The 33rd annual event ended Saturday night with Danny Boyle’s “Slumdog
Millionaire” winning the Cadillac People’s Choice Award.

Based on the novel “Q & A” by Vikas Swarup, it’s the story of an 18
-year-old orphan from the slums of Mumbai who is one question away
from winning 20 million rupees (roughly $438,000 in U.S. dollars) on
India’s version of “Who Wants to Be a Millionaire.” Fox Searchlight
will release it into theaters in late November.

First runner-up for audience favorite was “More Than a Game,” a
documentary about an Akron high school basketball team that includes
future superstar LeBron James. Second runner-up was “The Stoning of
Soraya M.,” the dramatization of a true story about “honor” killing
starring Shohreh Aghdashloo.

Other winners: best Canadian first feature, “Before Tomorrow,” about
an Inuit woman and her grandson trapped on a remote island; best
Canadian feature, “Lost Song,” a portrait of post-partum depression;
and Diesel Discovery Award, “Hunger,” starring Michael Fassbender as
Irish hunger striker Bobby Sands.

Also, Prize of the International Critics to both “Lymelife,” about
life and Lyme disease in 1970s Long Island, and “Disgrace,” an
adaptation of the J.M. Coetzee novel starring Malkovich as a professor
in Cape Town whose life falls apart after an affair with a student.

Here is a snapshot of some of the sights and sounds of the festival,
with more to come as the fall movies roll out:

Moviemaking as history lesson: Oscar winner Jennifer Hudson, who plays
a housekeeper in the 1960s South in “The Secret Life of Bees,” said
she didn’t realize how unaware she was about the civil rights era
until she was hired for this movie.

Then, she immersed herself in history to the point where she was
terrified “because I did so much research that my mind was just
clouded with the South being so horrible and people being lynched and
people being hosed and beaten, crazy stuff like that.”

But when director Gina Prince-Bythewood asked her to meet co-star
Dakota Fanning at a North Carolina store, Hudson complied. Prince-
Bythewood handed Hudson a shopping list and said, “Whatever you do,
don’t hit anyone.” Once she was inside, the all-white employees
treated Dakota like a “queen” and were rude or dismissive to Hudson,
asking her to empty her pockets at one point.

When the actresses went to buy ice cream, the clerk told Dakota, “You
know she can’t be in here, right?” Hudson said, “Did I hear him right?
… I sit down at the parlor and there’s this white man eating his
food and he leans over to the clerk, ‘Can you get this [N-word] out of
here, I’m trying to eat my food.’ And the only thing I can hear was
Gina in my head, ‘Whatever you do, don’t hit anybody. ‘ ”

It had been a set-up, to test their reactions and get them into the
1960s frame of mind, and it worked.

Reminder it’s all in the details: Mickey Rourke’s character in “The
Wrestler” may have a body built on steroids and exercise but he also
has an old-fashioned, oversize hearing aid and a pair of reading
glasses, which lend a touching vulnerability to Randy “The Ram”
Robinson.

Finding religion … or not: Bill Maher and director Larry Charles
(“Borat”) say they didn’t plan for their comic documentary about
religion called “Religulous” to come out in an election year but
consider the timing fortuitous.

“Laughter, I would say, is a good weapon to make points,” said
Charles, whose long graying beard makes him look like an extra from
“The Ten Commandments.” He acknowledged, “This is a hard subject, and
it’s a hard subject for people to hear their beliefs threatened and
questioned — these kind of core beliefs — and by using comedy, it
makes that a more palatable equation.”

But Maher says if you’re religious “you’re defending indefensible,
primitive mythic thinking. If you’re an adult and you still believe
this stuff, I’m sorry, you can’t have it both ways, you’re a rube.
There are just no two ways about it. We all have this imaginary person
in our mind who is somehow this smart person but he’s a religious
person, but he’s never any of us.”

Sorry I missed: Mortensen, here in “Appaloosa” and “Good” and soon to
be seen in “The Road,” playing the piano in the lobby of the Sutton
Place Hotel.

Glad I missed: A New York Post critic whacking Roger Ebert with a
rolled-up program or festival binder. An embarrassed Ebert wrote about
it, explaining how he tapped the person in front of him to signal he
was blocking his view of the “Slumdog Millionaire” subtitles and the
critic swatted back. Ebert’s medical condition has left him unable to
speak, so tapping was his way of communicating.

I was at a press conference when this happened but witnessed cross
words at “The Wrestler” when a man confronted someone who appeared to
be saving a pair of seats, forbidden at jam-packed screenings. No
fisticuffs ensued, just sharp words exchanged in a 580-seat theater
with almost no place left to plop down.

Pittsburgh connections: Gaylen Ross, who starred in “Dawn of the Dead”
and “Creepshow” many years ago, directed a documentary called “Killing
Kasztner,” about Dr. Israel Kasztner, a Hungarian Jew who negotiated
with Adolf Eichmann to save Jewish lives.

Kevin Smith’s “Zack and Miri Make a Porno,” set largely in
Monroeville, had its world premiere, and “The Hurt Locker” stars Brian
Geraghty, who lived in Pittsburgh from roughly ages 3 to 7 and
attended North Allegheny’s Espe Elementary School.

Wacky questions: “Pride and Glory” director Gavin O’Connor was asked
if he and his twin brother, Greg, were made to dress alike as
children. Keira Knightley was questioned about reports that she
opposed movie-poster enhancement of her breasts and asked if she’d
prefer to have a son or daughter some day, and Ricky Gervais was
quizzed about his imperfect teeth in “Ghost Town.” It turns out
they’re really his.

Religulous release’s research toronto sun

October 1, 2008

Ian Gillespie! Read the latest from our City columnist, who profiles
the most interesting people in London

If campaigns are fought one skirmish at a time, consider the Toronto
International Film Festival ground zero for next year’s Oscar race.
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LANGLEY, B.C. – A man is dead after he crashed through a second-storey
window, naked and bleeding from a chest wound, and was hit with an
RCMP Taser.

The religulous release maher religion people

October 1, 2008

Maher, who has been picking on organized religion for years on his TV
shows “Politically Incorrect” and “Real Time,” zealously traveled the
world for “Religulous,” his documentary challenging the validity and
value of Christian, Jewish and Islamic faiths.

Raised in a Roman Catholic household by a Catholic father and Jewish
mother, Maher decided at an early age that the trappings and mythology
of the world’s religions were preposterous, outdated and even
dangerous.

“Religulous,” directed by fellow doubter Larry Charles (“Borat:
Cultural Learnings of America for Make Benefit Glorious Nation of
Kazakhstan”), is intended to inspire similar skepticism in others
— and perhaps get nonbelievers to talk more openly about their
lack of faith.

“I’m not looking to form an anti-religion religion. That would defeat
the purpose,” Maher said in an interview at the Toronto International
Film Festival, where “Religulous” played in advance of its theatrical
release Friday. “It’s the nature of the people who are not believers
that they’re individuals, they’re individualistic. They don’t join and
all lock arms and say, ‘We all believe this and so it must be true
because we have strength in numbers.'”

The numbers Maher and Charles really hope to grab are general
audiences simply looking for a fun night at the movies.

Maher, 52, who started mocking religion back in his early standup
comedy days, has no misconceptions that “Religulous” will shake
people’s lifelong convictions to the core. He’s mainly looking for
laughs such as those the film elicited from the enthusiastic crowd at
its Toronto premiere.

“I was so gratified to finally go to a screening with people last
night and hear how big the laughs are,” Maher said. “Because we set
out to make a comedy. I always said, my primary motivation was I’m a
comedian, and this is comedy gold.

“When you’re talking about a man living to 900 years old, and drinking
the blood of a 2,000-year-old god, and that Creation Museum where they
put a saddle on the dinosaur because people rode dinosaurs. It’s just
a pile of comedy that was waiting for someone to exploit.”

Charles shot 400 to 500 hours of material around the world as Maher
visited a Christian chapel for truckers in North Carolina, a gay
Muslim bar in the Netherlands, the Mormon Tabernacle in Salt Lake
City, and Christian, Muslim and Jewish holy places in Israel.

Maher meets with priests at the Vatican, chats with rabbis and Muslim
scholars in Jerusalem, encounters street preachers in London, and
hangs out with the performer who plays Christ in a crucifixion
enactment at the Holy Land Experience theme park in Florida.

They left Eastern religions such as Hinduism and Buddhism alone
largely for budgetary reasons, saying the extra travel and expanded
scope would have made the film too unwieldy.

They also figured that Christianity, Islam and Judaism were the
trinity of faiths at the heart of Western conflict.

Charles grew up Jewish and once considered becoming a rabbi but was
discouraged by his parents, who told him to “get bar-mitzvahed, get
the checks and then get the hell out,” he said. He said he now shares
Maher’s position: Heavy on doubt about the existence of a supreme
being, even heavier on certainty that organized religion is hazardous
to humanity’s health.

“If I believe that Jesus is God and you believe Mohammed is God, then
no matter how tolerant we are, we are never going to meet,” Charles
said. “All you have to do is push that one more step, then somebody’s
like, ‘You’re in the way of people believing in Jesus,’ and ‘You’re in
the way of people believing in Mohammed,’ and the only answer is to
kill you.

“Unfortunately, that sort of thing dominates the religious landscape,
not the Mother Teresas of the world. She becomes the aberration. …
The altruistic wing of religion has been minimized and this
militaristic, warmongering fundamentalism has become the dominant
presence.”

Charles said he assembled the 100-minute film from 14 hours of prime
material. He has suggested to distributor Lionsgate that the 14-hour
cut could be edited into half-hour segments and sold to television as
a series.

Never one to soft-pedal his own opinions, Maher openly scorns remarks
made by Christians, Jews and Muslims he interviews. He hopes audiences
will laugh with him, and that “Religulous” will stand as a testament
for people who share his scorn.

“It is a sobering thought to think that the U.S. Congress has 535
members and there’s not one who represents this point of view, and yet
there are tens of millions of Americans who feel this way,” Maher
said.

“Comedians have always made jokes about religion. It’s a rich topic. I
did when I was a young comedian, but they weren’t jokes that got right
to the essence of it, which is, this is dangerous and this is silly.”

Senator Joe Biden’s tendency to go too far and the hazards of debating
a woman are signs of possible perils ahead.

The Palestinian author Raja Shehadeh looks back on years of walks in
the hills of the West Bank.

An insider look at film director Zhang Yimou, who is directing the
opening cermonies at the Olympic Games.

Film weekend seattle in religulous review

October 1, 2008

With a scorching $27,204 per-theatre-average, Saul Dibb’s “The
Duchess” found 2008’s second highest specialty average (behind
arguable inclusion “Kit Kittredge: An American Girl”) and gave the
competitive fall season a royal beginning. In 7 locations, the
Paramount Vantage release grossed $190,426. A slew of other, lower-
profile films also found decent numbers, including a Texas screening
of Chris Eska’s “August Evening,” the debut of Stuart Townsend’s
“Battle in Seattle” and the second weekend of yoga doc “Enlighten Up!”

After a generally favorable screening at the Toronto International
Film Festival, Saul Dibb’s “The Duchess” found itself high atop the iW
BOT this weekend. The Keira Knightley-Ralph Fiennes starrer, a
dramatized chronicle of the life of 18th century aristocrat Georgiana,
Duchess of Devonshire, scored the second-highest iW BOT debut in 2008
(after Patricia Rozema’s “Kit Kittredge: An American Girl”). The film
grossed $190,426 on 7 screens for a whopping average of $27,204.

The film found itself only moderately under the opening averages of
two of the most successful recent royal accounts, Stephen Frears’ 2006
“The Queen,” which averaged $40,671 on 3 runs in its debut weekend,
and Shekhar Kapur’s 1998 “Elizabeth,” which averaged $30,570 on 9
runs. It far surpassed Kapur’s 2008 follow-up, “Elizabeth: The Golden
Age,” which averaged $3,075 last October on a perhaps incomparable
2,001 theaters.

“We were very pleased with the grosses from this past weekend,” said
“Duchess” distributor Paramount Vantage’s Senior Vice-President Kevin
Grayson in an interview with indieWIRE. “The film showed very good
success at our core theatres on both coasts with strong per screen
averages at all our locations.” The film played particularly well with
women, as Grayson had expected, and will slowly find more theaters in
the coming weeks. “We are expanding our initial runs [in New York, Los
Angeles and Toronto] as well as introducing the film into the top 20
markets in a limited fashion,” he said. “That combined with Keira’s
strong cross over ability, good word of mouth and solid reviews we
feel we are on the right road to reach and exceed our goals.”

However, it might increasingly become a rocky road for “The Duchess”
to maintain this weekend’s success. The next two weekends alone see
the openings of potential specialty powerhouses like Jonathan Demme’s
“Rachel Getting Married,” Larry Charles’ “Religulous” and Fernando
Meirelles’s “Blindness.”

Though without the backing of a “Duchess”-like studio subsidiary, a
wealth of other films crowded the iW BOT’s top slots with less-
dramatic but certainly promising numbers. Redwood Palms release of
“Battle in Seattle” opened on 8 screens and found a decent $46,903
gross. Stuart Townsend’s fictionalized account of the 1999 riots to
stop a World Trade Organization meeting in Seattle averaged $5,863,
from a $9,718 high at New York’s Angelika Film Center to a $2,188 low
at Minneapolis’ Uptown Theatre. “Seattle” will battle the box office
at 11 additional theaters this upcoming weekend, including in Chicago,
Boston and Detroit.

“Seattle” ranked behind two iW BOT underdogs. Maya Releasing’s “August
Evening,” which opened to a disappointing $3,296 at New York’s Village
East Cinema two weekends ago, managed $11,033 from its debut weekend
at San Antonio’s Santikos Bijou Theatre. Directed by Texas native
Chris Eska, “Evening” won the John Cassavetes Award at the 2007 Gotham
Awards, and now has a cumulative gross of $15,576. It opens in Los
Angeles this Friday.
Just behind “Evening” was the surprising second weekend of Kate
Churchill’s yoga documentary, “Enlighten Up!,” which grossed an
impressive $8,598 in its sole run at the Kendall Square Cinema in
Cambridge, Massachusetts. That takes “Enlighten”‘s total up to $20,397
after two weekends. And while one must consider that the screenings
did include actual free yoga classes led before select screenings,
there is still something to be said for such grassroots marketing.

Finally, in what might be one of the year’s biggest – and most
expected – specialty disasters, Empire Film Group opened long-shelved
2007 Sundance entry “Hounddog,” best known for its Dakota Fanning rape
scene, on 11 screens. It averaged $1,249.

Religulous bill maher’s say it’s festival

October 1, 2008

My voice is still a bit shaky, PopWatchers, and my sleep schedule
remains all kinds of wackadoodle, but at least the remnants of Gustav
have finally (hopefully) pushed beyond the Ontario borders. That’s
right, the sun is shining bright on the Toronto International Film
Festival, which means I can at long last vlog outdoors! (Ooo. That
just sounds vaguely untoward, huh? It’s not, I promise.) So click on
to hear more about why I had to walk out of (starring Ben Kingsley and
21’s Jim Sturgess), what surprised Kevin Smith the most about Toronto,
what may be an advance look at a Religulous DVD extra courtesy Bill
Maher, and what some native Torontonians had to say about the film
festival that’s called their city home for over 30 years.

As a Torontonian who has been attending the festival for the last 8
years, I’d say that it definitely has changed. More star seekers, more
corporate and more expensive. But it’s still my favourite part of the
fall.

As to the celebrity question…I can’t imagine a case where I’d accost
someone on the street or stake out a hotel, but at the screenings
themselves I definitely grab my camera and take a picture or two.

First, let me comment on the obscene number of empty sponsor seats at
The Duchess gala premiere last night. What a waste. Dozens of people
would have loved to fill them. Secondly, I saw Religilous today and
LOVED IT! I haven’t laughed that hard in a while. (Wanted to post on
Bill Maher’s site but there’s nowhere to do that). Thank goodness for
people like Bill Maher who try to shake some common sense into the
general public and for exposing the ridiculousness of the belief
system. And it IS a system. Nice work, Bill!

Oh, Adam, Adam… Please learn fast because those vlogs are getting
hopeless. There’s potential, but most of us could probably get better
production value sitting at home filming ourselves with a cell phone.

If he did indeed give money to Obummer becase of a speech that the
next Vice President of the United States made, I have to ask if Billie
boy has a brain?

Isn’t it more scary that Obummer is as close to a Socialist that has
ever been running for president? Does he care that Obummer has Zero
experience (other than mimicking his preacher… oh yea that’s fine)
and changes his words (right in your face to Billy boy) to get the
vote?

Bill, I used to think you were funny and sharp. You blew it. I hope
that everyone boycotts your movie in October of this year. Since you
go with the buck, perhaps that will scare you more.

I couldn’t drag myself out of a Jim Sturgess movie if he was speaking
Klingon! Dude, REALLY.

The festival here in Toronto has definitely gotten a little out of
hand, but I think it’s chugging along at par with the rest of North
America’s celeb-obsessed culture, so it’s not really a surprise. It
was odd going to the see The Wrestler last night with tonnes of fans
lined up across the street, most likely with no clue about what they
were waiting for!

Yeah, I would probably check out all the celebrity happenings. But I
would also plan to go out and eat at a nearby restaurant, just to have
a legitimate excuse to be there.

My God! Is there any way you could possibly make watching these
“vlogs” any more boring!? Zero personality + nothing meaningful to say
= SNORE

ya need to hang out with more foreign english speakers to get to
understand them, I’m Irish and I live in Toronto and I hope people
understand me. I do find a big change here in TO with all the fuss, I
am a movie fanatic and it’s getting insane, I wouldn’t rush up to the
‘talent’ but thats just me, but the whole planet is celeb obsessive
now! I still wanna see the smaller movies, as I can see the
‘hollywood’ ones in a few weeks. I saw ‘Slum Dog Millionaire’ last
night and it was fantastic! best movie so far!

As an almost-native Torontian (I grew up in Mississauga, the city
immediately to Toronto’s west), and as one who had volunteered at the
festival for a few years, I can honestly say that, while I was
starstruck, I never approached any stars because I didn’t want to
bother them. That doesn’t mean I didn’t have any encounters, of course
–Emily Watson smiled at me, I was Farrah Fawcett’s seat holder, and
Brain de Palma even yelled at me–but I never initiated contact. The
only time I ever did that was with Ally Sheedy, and that’s because it
was my job at the time.

Bad Adam! That Word is officially verboten. Okay, let’s make a
deal…you don’t say That Word and I will stop using “verboten”. LOL

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Maher religion holy in religulous bill maher

October 1, 2008

TORONTO — “Just call us the Woodward and Bernstein of religion.”
That’s how Bill Maher sums his quest with “Borat” director Larry
Charles in “Religulous,” a pithy, smart, and usually profane poke at
religion.

From the Holy Land to the Holy Land Experience theme park in Florida,
Maher travels the globe searching out believers and engages them on
their turf about what they believe and why.

That confrontation between the faithful and Maher’s logic makes this
documentary a little like Prince Judah going after the Roman heathen
Messala in “Ben-Hur” — without the showy chariot race.

“All I can say is religion won’t go the way of the button shoe,” Maher
joked with reporters at the Toronto International Film Festival.

“Oh I still found myself bargaining with this guy in my head at times
when I was trouble,” he laughs. “But no, I’m not for this disease that
religion has turned out to be.”

Confronting the faithful as Bill does is funny stuff. With his logic
in hand, Maher goes forth and finds a Jesus impersonater who explains
the Holy Trinity to Maher by comparing it to the three states of
water.

He unearths tourists in the gift shop at The Holy Land Experience who
nosh back and forth with him about the place of the Jews in heaven.
Add to that the everyday American Christians Maher takes on who
“believe in believing” because “what if you died without faith and
found out you were wrong?”

It all sounds like flimsy crap to Maher, especially when he’s talking
to self-styled religious leaders, Catholic higher-ups dressed in un-
Godly expensive suits and bible-thumping fundamentalists like Arkansas
Senator Mark Pryor.

Maher’s approach is fair. He listens to what everyone has to say and
thoughtfully considers every word. Then Maher goes for the jugular.

“How can you believe in a talking snake?” he asks. How can a man live
in the belly of a whale or come back from the dead? And what about
those Mormons? How can they believe that God is some real super-dude
happily residing on another planet?”

From the stormy religious opinions he finds in Jerusalem to the
radical Muslim problem in Amsterdam, Maher’s quest for “truth”
presents a force behind faith that he and Charles would unquestionably
call frightening.

“My country is dumber than your is,” Maher quipped before the Canadian
press. “Only in America will you find politicians in a presidential
campaign trying to out-love Jesus.”

Some may vehemently disagree with such commentary from a man sporting
a ZZ Top beard and a pair of lavender Crocs dangling from his feet.
But so what? Taking a little heat is worth it to these two anti-heaven
crusaders.

“Religulous” won’t appeal to people who loved “The Passion of the
Christ,” the 2004 movie that made devout Catholic director Mel Gibson
richer than God. As Maher says, “We’re giving those who value science
and reason above myth another alternative at the movies.”

Whether “Religulous” changes peoples’ minds as America gears up for a
presidential election has yet to be seen.

“I don’t know how much this film will sway voters. But I’ll tell you.
When Sarah Palin got onto the Republican ticket with John McCain I was
swayed to write a big check to Obama,” Maher jokes.

“I watched a lot of documentaries before I got Larry to sign on. It
was all so depressing to watch,” Maher laughs.

The religulous trailer film political films

October 1, 2008

It was interesting to be in Canada for the Toronto International Film
Festival and see media coverage there of events happening here.

Both political conventions (and Hurricane Gustav) filled the news and
opinion pages of all the Canadian papers with the bulk of the coverage
tilted in favor of Obama, but with a spirited rebuttal from readers
and columnists alike.

The announcement of their own elections stole the spotlight from all
this, and shame on me for not caring enough to pay attention.

Back home, the relief I sought in the sports pages from the U.S.
media’s obsession with political minutiae and trivia was as short
lived as Milwaukee Brewer’s wild card hopes.

And now I find that escapism in film entertainment is also futile,
because the multiplex is as polarized as the rest of the country.

People turned to political films during the last election for
information that was often not reported anywhere else. And one of
those films – “Fahrenheit 9/11” by Michael Moore – became the highest
grossing documentary of all time.

It was written and directed by Shorewood native David Zucker, who
directed “The Naked Gun” and “Airplane!,” and stars Kevin Farley – the
late Chris Farley’s brother – as Moore.

“An American Carol” was funded by Beloit resident Diane Kendricks and
her late husband Ken Hendricks. In the film Farley’s character is
visited by several historical characters – ala Charles Dickens – when
he proposes banning July 4.

The Hendrickses are investors in the production firm founded by
Stephen McEveety, producer of Mel Gibson’s “Braveheart,” “The Passion
of the Christ” and “What Women Want.” A release said the firm
specializes in “high impact, socially relevant films.”

The Hendrickses are also major supporters of the Beloit Film Festival
and McEveety has been named honorary chair of the 2009 event.

Bill Maher, of course, comes from the polar opposite viewpoint, and
his new documentary is the anti-“The Passion of the Christ.”

The comic and HBO talk show host is a caustic and outspoken liberal
and his film – by “Borat” director Larry Charles – disputes the
notions of God and faith and ridicules the sorts of extreme elements
like ganja worshippers and Scientologists, that gather in his name.

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Religulous movie’s festival film toronto

October 1, 2008

BRAD Pitt will drop in, as will Bryan Brown. Hollywood veteran
Jonathan Demme has a new film to show, the family drama Rachel Getting
Married; so does Melbourne actor Matthew Newton, who will present his
second feature behind the camera, Three Blind Mice.

If it’s early September, it must be the Toronto International Film
Festival, one of the largest, most respected and tightly run movie
bazaars in a world suddenly full of such events. The numbers are
startling: 312 films from 64 countries; 249 features, with three-
quarters of those billed world, international or North American
premieres (this is an important distinction in the world of film
festival bragging rights). Sixty-one are films from first-time
directors, and Australia will be represented by six features.

In all, the festival is promising more than 500 filmmakers, writers
and actors from across the world, on hand to present their work,
answer audience questions, participate in gruelling press interview
sessions and hobnob at exclusive parties.

Polling colleagues from across the world, one Toronto-based film
journalist has concluded the five must-see movies, based on buzz, are
Steven Soderbergh’s two-part revolutionary epic Che; Joel and Ethan
Coen’s CIA satire with Pitt, Burn After Reading; Canadian Bruce
McDonald’s zombie romp Pontypool; and Religulous, the documentary from
Borat director Larry Charles, in which comedian-commentator Bill Maher
traverses America in search of definitions of piety and faith.

Screenings run from 9am to well past midnight. Distributors and film
critics will jostle for seats with the Canadian public.

It’s a daunting 10 days. Depending on what business one has at TIFF,
it’s possible to see five films a day, or three times that number if
one is simply sampling the vibe by hopping from one cinema to the
next. At the other extreme, many festival-goers never set foot in a
cinema. Toronto has become a crucial stop for movie buyers and
sellers, with deals done in the members-only industry centre and on
napkins in upscale restaurants.

Programmers from festivals across the world — including Sydney Film
Festival executive director Clare Stewart — come to Toronto to pre-
screen movies for their events.

The festival, in its 33rd year, has had a torrid love affair with
Hollywood for the past decade. After Sam Mendes’s American Beauty
surfed its overwhelmingly positive 1999 festival buzz to a best-
picture Oscar win, studios in subsequent years have scrambled to get
their end-of-the-year award hopefuls into the Toronto schedule before
commercial release.

Studios are pruning their lavish budgets for travel, lodgings and
splashy parties to promote these films. As a result, Toronto is locked
in competition with the overlapping Venice film festival for high-
profile pictures and A-list stars. Sometimes films play at both
festivals, such as Burn After Reading. Often, films given a big push
in one city are conspicuously absent from the other.

In fact, as comprehensive as TIFF is, the list of films not showing is
also noteworthy. Oliver Stone’s W., with Josh Brolin as the incumbent
US president, apparently wasn’t finished in time, even though it’s
scheduled to open in the US scarcely a month after the festival
closes. Word has it films from prominent directors Darren Aronofsky
(The Wrestler, with Mickey Rourke) and Jim Sheridan (Brothers, with
Jake Gyllenhaal and Tobey Maguire) weren’t even submitted. (Unlike the
Cannes festival, where anyone with enough money can rent a screen and
show their film in the market section, Toronto screens only what
Toronto invites.)

Laurent Cantet’s high school drama The Class, which won the Palme d’Or
at Cannes last May, was scheduled to play Toronto but was pulled when
the film was selected as the opening-night gala by the New York
festival, which opens later this month. Toronto also apparently lost
Clint Eastwood’s Cannes favourite Changeling, starring Angelina Jolie,
to New York’s demand for exclusivity.

Director Steve Jacobs’s new Australian film Disgrace, adapted from the
novel by J.M. Coetzee and starring John Malkovich, will open near the
festival’s halfway point. Baz Luhrmann’s anticipated Australia is not
finished. Other Australian films in various sections of the festival
include the stop-motion animated $9.99, a co-production with Israel
and featuring the voices of Geoffrey Rush, Anthony LaPaglia, Joel
Edgerton and Ben Mendelsohn; the documentary Yes Madam, Sir, with
narration by Helen Mirren; and two films in the cult Midnight Madness
program, the horror thriller Acolytes and the Ozploitation documentary
Not Quite Hollywood. Brown co-stars with Sam Neill and Peter O’Toole
in writer-director Toa Fraser’s British-New Zealand co-production Dean
Spanley, from the novel by Lord Dunsany.

But in the end and beyond the hype, attending Toronto or any film
festival isn’t so different from checking session times on a Friday
afternoon: all anyone’s really looking for is a good movie.

From here you can use the Social Web links to save Toronto’s casts of
thousands to a social bookmarking site.

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purpose than to notify the recipient of the article you have chosen.

Staff writers THE Australian competition watchdog said today it would
not oppose BHP Billiton’s proposed takeover of rival mining giant Rio
Tinto.

Andrew Colley IT took a few days but Hutchison 3 Mobile customers
finally have access to popular websites such as BigPond and Hotmail.

FAST food chain McDonald’s has consolidated its $65 million
advertising account with DDB, dumping rival agency Leo Burnett.

Bernard Lane THE University of New England may move to elect a new
chancellor as early as next month in the long-running leadership
crisis.

Michael Bloomberg will seek to overturn a term limits law so he can
run New York for another four years.

Mark Dodd AN Australian delegation visiting Croatia will today meet
its leaders to press for help in resolving the fate of Britt
Lapthorne.

Paul Kelly, Editor-at-large ROSS Garnaut’s report will be anathema to
the environmental lobby but it focuses on the achievable.

Avril Groom in Milan WITH couture taking a clobbering, shoes and
accessories are now at the pointy end of fashion