Posts Tagged ‘michael fassbender’

Religulous release’s hudson you’re person

October 1, 2008

Actress Jennifer Hudson was put to the test for her role as a
housekeeper in the 1960s South in the movie “The Secret Life of Bees.”

TORONTO — Viggo Mortensen played the piano in a hotel lobby, John
Malkovich clarified he was here in “Disgrace” (not disgrace), and
questions about the Obama-McCain presidential race proved you can run
but you cannot hide from American politics.

Paris Hilton was live and in a documentary called “Paris, Not France,”
Mark Ruffalo scored a triple play with “The Brothers Bloom,”
“Blindness” and “What Doesn’t Kill You,” and Mickey Rourke emerged as
the Comeback Kid at the Toronto International Film Festival.

The 33rd annual event ended Saturday night with Danny Boyle’s “Slumdog
Millionaire” winning the Cadillac People’s Choice Award.

Based on the novel “Q & A” by Vikas Swarup, it’s the story of an 18
-year-old orphan from the slums of Mumbai who is one question away
from winning 20 million rupees (roughly $438,000 in U.S. dollars) on
India’s version of “Who Wants to Be a Millionaire.” Fox Searchlight
will release it into theaters in late November.

First runner-up for audience favorite was “More Than a Game,” a
documentary about an Akron high school basketball team that includes
future superstar LeBron James. Second runner-up was “The Stoning of
Soraya M.,” the dramatization of a true story about “honor” killing
starring Shohreh Aghdashloo.

Other winners: best Canadian first feature, “Before Tomorrow,” about
an Inuit woman and her grandson trapped on a remote island; best
Canadian feature, “Lost Song,” a portrait of post-partum depression;
and Diesel Discovery Award, “Hunger,” starring Michael Fassbender as
Irish hunger striker Bobby Sands.

Also, Prize of the International Critics to both “Lymelife,” about
life and Lyme disease in 1970s Long Island, and “Disgrace,” an
adaptation of the J.M. Coetzee novel starring Malkovich as a professor
in Cape Town whose life falls apart after an affair with a student.

Here is a snapshot of some of the sights and sounds of the festival,
with more to come as the fall movies roll out:

Moviemaking as history lesson: Oscar winner Jennifer Hudson, who plays
a housekeeper in the 1960s South in “The Secret Life of Bees,” said
she didn’t realize how unaware she was about the civil rights era
until she was hired for this movie.

Then, she immersed herself in history to the point where she was
terrified “because I did so much research that my mind was just
clouded with the South being so horrible and people being lynched and
people being hosed and beaten, crazy stuff like that.”

But when director Gina Prince-Bythewood asked her to meet co-star
Dakota Fanning at a North Carolina store, Hudson complied. Prince-
Bythewood handed Hudson a shopping list and said, “Whatever you do,
don’t hit anyone.” Once she was inside, the all-white employees
treated Dakota like a “queen” and were rude or dismissive to Hudson,
asking her to empty her pockets at one point.

When the actresses went to buy ice cream, the clerk told Dakota, “You
know she can’t be in here, right?” Hudson said, “Did I hear him right?
… I sit down at the parlor and there’s this white man eating his
food and he leans over to the clerk, ‘Can you get this [N-word] out of
here, I’m trying to eat my food.’ And the only thing I can hear was
Gina in my head, ‘Whatever you do, don’t hit anybody. ‘ ”

It had been a set-up, to test their reactions and get them into the
1960s frame of mind, and it worked.

Reminder it’s all in the details: Mickey Rourke’s character in “The
Wrestler” may have a body built on steroids and exercise but he also
has an old-fashioned, oversize hearing aid and a pair of reading
glasses, which lend a touching vulnerability to Randy “The Ram”
Robinson.

Finding religion … or not: Bill Maher and director Larry Charles
(“Borat”) say they didn’t plan for their comic documentary about
religion called “Religulous” to come out in an election year but
consider the timing fortuitous.

“Laughter, I would say, is a good weapon to make points,” said
Charles, whose long graying beard makes him look like an extra from
“The Ten Commandments.” He acknowledged, “This is a hard subject, and
it’s a hard subject for people to hear their beliefs threatened and
questioned — these kind of core beliefs — and by using comedy, it
makes that a more palatable equation.”

But Maher says if you’re religious “you’re defending indefensible,
primitive mythic thinking. If you’re an adult and you still believe
this stuff, I’m sorry, you can’t have it both ways, you’re a rube.
There are just no two ways about it. We all have this imaginary person
in our mind who is somehow this smart person but he’s a religious
person, but he’s never any of us.”

Sorry I missed: Mortensen, here in “Appaloosa” and “Good” and soon to
be seen in “The Road,” playing the piano in the lobby of the Sutton
Place Hotel.

Glad I missed: A New York Post critic whacking Roger Ebert with a
rolled-up program or festival binder. An embarrassed Ebert wrote about
it, explaining how he tapped the person in front of him to signal he
was blocking his view of the “Slumdog Millionaire” subtitles and the
critic swatted back. Ebert’s medical condition has left him unable to
speak, so tapping was his way of communicating.

I was at a press conference when this happened but witnessed cross
words at “The Wrestler” when a man confronted someone who appeared to
be saving a pair of seats, forbidden at jam-packed screenings. No
fisticuffs ensued, just sharp words exchanged in a 580-seat theater
with almost no place left to plop down.

Pittsburgh connections: Gaylen Ross, who starred in “Dawn of the Dead”
and “Creepshow” many years ago, directed a documentary called “Killing
Kasztner,” about Dr. Israel Kasztner, a Hungarian Jew who negotiated
with Adolf Eichmann to save Jewish lives.

Kevin Smith’s “Zack and Miri Make a Porno,” set largely in
Monroeville, had its world premiere, and “The Hurt Locker” stars Brian
Geraghty, who lived in Pittsburgh from roughly ages 3 to 7 and
attended North Allegheny’s Espe Elementary School.

Wacky questions: “Pride and Glory” director Gavin O’Connor was asked
if he and his twin brother, Greg, were made to dress alike as
children. Keira Knightley was questioned about reports that she
opposed movie-poster enhancement of her breasts and asked if she’d
prefer to have a son or daughter some day, and Ricky Gervais was
quizzed about his imperfect teeth in “Ghost Town.” It turns out
they’re really his.

The religulous movie film up white

October 1, 2008

TORONTO — The Toronto International Film Festival ended
Saturday after unspooling 312 films during a 10-day cinematic
marathon. The Canadian Press writers who covered the festival pick
some of the highs and lows among the movies they saw and the
celebrities they encountered:

“Before Tomorrow” – A haunting tale of survival after an encounter
with white explorers leaves an Inuit grandmother and child abandoned
on a desolate island.

“C’est pas moi, je le jure!” – At turns hilarious and heart-breaking,
this Montreal coming-of-age film documents the unravelling of a 10
-year-old hellraiser struggling to cope with the split of his parents.

“Hunger” – A portrait of the 1981 Bobby Sands hunger strike from
British director Steve McQueen that takes viewers on a disturbing
journey into the hellish depths of the Maze prison near Belfast. With
a mind-blowing performance by Michael Fassbender as Sands.

“It Might Get Loud” – Davis Guggenheim, who won an Oscar for “An
Inconvenient Truth,” turns in an entertaining documentary about the
electric guitar, with commentary from U2’s the Edge, Jack White of the
White Stripes and Jimmy Page of Led Zeppelin. No earth-shattering
insights, but a whole lot of fun.

“JCVD” – A one-man tour de force that may just resurrect the career of
Jean-Claude Van Damme. The hook has the former action star poking fun
at his image in his hometown of Brussels, where he inadvertently ends
up involved in a bank heist.

“Lovely, Still” – This wonderful effort from first-time filmmaker Nik
Fackler features Martin Landau and Ellen Burstyn as elderly neighbours
who live out a second childhood when they fall in love – with a final
act that is heartbreaking.

“Religulous” – A laugh-out-loud attack on religion, with comedian Bill
Maher roaming the world to challenge Jews, Christians and Muslims on
their faith.

“Slumdog Millionaire” – An inspiring audience-pleaser that follows a
homeless teen from Mumbai to the final question on India’s version of
“Who Wants to Be a Millionaire,” all while he searches for the girl he
loves.

“Synecdoche, New York” – Starring Philip Seymour Hoffman as a dejected
theatre director, the film has a title that’s hard to pronounce and a
storyline that’s sometimes even harder to follow. That’s the genius of
screenwriter Charlie Kaufman, who makes his directorial debut.

“The Wrestler” – A brilliant account of a has-been fighter beaten by
life but looking for a second chance.

Sally Hawkins plays an overly optimistic school teacher who faces
trouble head-on in Mike Leigh’s “Happy-Go-Lucky,” successfully walking
the line between lovable and downright obnoxious.

Anne Hathaway is riveting as a chain-smoking, recovering drug addict
in Jonathan Demme’s dark family drama “Rachel Getting Married.”

Antoine L’Ecuyer is a young phenom whose portrayal of 10-year-old
hellion Leon in “C’est pas moi, je le jure!” imparts a rare mix of
humour, vulnerability and charisma.

Julianne Moore gives a nuanced performance in “Blindness” as the only
sighted person in a defunct mental facility housing victims of a
mysterious epidemic.

Mickey Rourke was the festival’s comeback kid in “The Wrestler” as a
washed-up fighter who’s told he’s no longer fit for the ring. Co-star
Marisa Tomei is equally powerful playing an aging stripper who reaches
out to the grappler.

Kristin Scott Thomas is mesmerizing as a newly released prison inmate
struggling to re-enter society in the French-language drama “I’ve
Loved You So Long.”

Jean-Claude Van Damme? We’re as surprised as you are, but the
vulnerability that the action star puts into his “JCVD” performance is
astounding.

Matt Damon in “Che,” where the heartthrob surprisingly pops up as a
missionary in Bolivia, adding to the mishmash of accents in the
Spanish-language film.

Renee Zellweger awkwardly flirts through scenes with Viggo Mortensen
in “Appaloosa.” Playing a promiscuous widow, her seemingly Botox-
infused face fails to emote.

With a cast of Adrien Brody, Mark Ruffalo and Rachel Weisz, it seemed
like con-man caper “The Brothers Bloom” couldn’t miss. But it did.
Though the film looked amazing, it made little sense and journalists
at one press screening had no qualms about heading for the exits well
before the final credits rolled.

Mark Ruffalo, Matt Damon, Ricky Gervais, Alicia Keys, Bruce McDonald,
Paul Gross, Julianne Moore and Evangeline Lilly all make the list for
being affable and generous with the media. Gervais giggled throughout
his interview, and McDonald offered to continue the chat later when
cut short by a publicist.

Keira Knightley makes this category for the second year in a row after
snippy comments during interviews for “The Duchess.” Philip Seymour
Hoffman, just roused from a nap (according to a publicist), was curt
at the start of an interview for “Synecdoche, New York” but softened
up after lighting up a smoke.

Adrien Brody wins for the thick beard he claims was grown “for life”
and not for a movie.

Seth Rogen shaves his hairy face in “Zack and Miri Make a Porno” when
production begins on his amateur film.

George Clooney gets grizzly for the Coens to play a moronic federal
marshal in “Burn After Reading.”

The usually clean-shaven Steven Soderbergh arrived fully bearded in
Toronto, perhaps inspired by Che Guevara, the subject of his 4
1/2-hour bio-pic.

By Canadian Press film festival reporters Victoria Ahearn, Andrea
Baillie, David Friend, Gregory Bonnell and Cassandra Szklarski.